Fox’s Next opens with a quote from Elon Musk, and the show’s take on the dangers of technology is about as sophisticated as a meme with a Musk quote attached to it. The franchise has wallowed in nostalgia for the deified nobility of earlier series, pandering to fans in a way mirrored by Burnham’s patriotic reverence of the Federation. Statuesque Michiko Daimon (Ryoko Yonekura) could be a fashion model, but she is a talented freelance surgeon who is placed at a university hospital after several doctors have quit due to harsh working conditions. Fraser feels compelled to center himself in his own world, doing things like balancing precariously on a bridge railing or intruding on Italian homeowners sewing outside, though sometimes he allows himself to be guided by new acquaintances, like fellow army brat Britney (Francesca Scorsese). In the show’s early episodes, when Next is still theoretically contained on servers at Paul’s former company, it speaks in a placid male voice that sounds a lot like HAL from 2001: A Space Odyssey, and once Next escapes into the internet, it sometimes speaks in the voice of an off-brand Alexa or a car’s GPS, but mostly it doesn’t speak at all. Next throws in incongruous moments of emotional bonding amid the chaos, and the forced efforts to create an intimate connection between two of Shea’s team members are especially awkward. Snapped out of his chaotic collapse by the sight of a teenage girl, Epona (Jessie Ross), hanging herself from a tree in the woods, he saves her life and drives her home, even as she murmurs, “They’ll kill me.”. So writer/executive producer Steven Moffat had his work cut out for him if he wanted to genuinely surprise his audience. And if so, what are the implications for River, who also suffered from sickness? The astronaut calmly strides back into the lake, ignoring a stream of shots fired at it by River. They can move as they wish among us, even stand out in plain sight, and remain quite undetected—perfect paranoia fuel. Similar to its exploration of the multiple dimensions of a person’s identity, I May Destroy You depicts the different forms that sexual assault can take, not all of it as immediately readable as Arabella’s violent rape, and not always committed by obvious villains like the man (Lewis Reeves) in Arabella’s flashbacks. There’s a reason Roddenberry’s follow-up to the iconic The Original Series wasn’t Star Trek: The Previous Generation. As they search for the little girl, Amy quietly brings up the idea of somehow neutralizing the “spaceman” in 1969, thereby saving the future Doctor. As such, he regards it with no small degree of skepticism, not least of which because one of Brown’s outbursts gets the boy’s father killed. Next’s overarching goals are a bit vague, and the series strikes an awkward balance between a grounded police drama and a world-ending sci-fi thriller. After all, it’s hard to dissuade white people once they’ve decided who you are. Creator Manny Coto is known for his work on the Star Trek franchise and multiple seasons of 24, and Next feels very much in the law enforcement genre, treating the A.I. The outspoken surgeon is not afraid to create waves in her new workplace in order to protect the patients. April 26, 2011. Star Trek has tried and failed at constructing a one-episode arc around a rugged male individualist before, and Book isn’t the worst instance of this archetype (see—or don’t see—the notorious Next Generation episode “The Outrageous Okona”), but Book is too obvious a pulpy fabrication for the kind of emotional weight his reluctant friendship with Burnham is meant to carry. The horror of Lovecraft Country, Misha Green’s adaptation of Matt Ruff’s 2016 novel of the same name, is at first all too real. Where he may freely be himself among the black characters, who recognize what Onion calls his “true nature” just fine, the white characters force their own perception upon him even when they have the best of intentions and are ostensibly fighting for him and his people. A newer element of our surveillance state, social media, is mentioned obligatorily but is barely explored. 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